This commentary is an introduction to Saifa kata
for students of Sodokan Goju Ryu.
Whilst Saifa is one of the traditional Goju Ryu
kata it is performed in many different ways. The structure and
sequences are usually the same but there are differences in speed,
force, height and individual interpretation. There is no one right
way of performing or using this kata. Kata should not be changed,
but it does evolve through awareness and perception. If the original
principles are still contained within the physical movements then
it holds true to the Goju Ryu teaching.
Being able to perform a kata well does not necessarily
imply understanding as this requires that you have the knowledge
of how to use and can empathize with the opponent so as to feel
when to use
I have used English for the majority of the terminology.
This is because martial arts should be taught in the native language
so that instructions and principles can be clearly understood.
The Okinawan's do not teach in Chinese and the Japanese do not
teach using the Okinawan dialect. However as the international
language of karate, it is well worth knowing the Japanese terms,
especially the correct pronunciation. In the dojo both native
language and Japanese terms should be used.
Background
Believed
to have been introduced by Kanryo Higaonna from China, although
some claims have stated that Miyagi may have introduced saifa.
If the Geki kata are the introductory kata for children and adolescents,
then Saifa can be considered the adult equivalent.
Saifa
kata is comprised of two kanji Sai
and Ha
, the Okinawan
pronunciation though of Ha is Fa.
The kanji
Sai, as in Gekisai, is to 'smash'. The second kanji Ha/Fa means
to 'tear'. This can be translated as, 'Smash and Tear', i.e. to
Rend. The folding techniques contained in the kata reflect the
name with its joint manipulations used to smash bone and tear
muscle.
The main visual difference between the Okinawan
and Japanese performance is in how the descending hammer fist
strike is performed. In the Okinawan version this strike is performed
to the side standing in a parallel stance, with the Japanese version,
the hammer fist strike is to the front standing in Sanchin.
Both methods are correct. Striking to the side is a training method
to develop the required relaxed circular movement in the shoulder
joint to develop Whipping power. Striking to the front shows a
specific variation of a practical fighting application
Principles
Key principles
developed are Folding, Grounding and Whipping.
Folding
is collapsing the joints i.e. wrist, elbow and shoulder enabling
the limb to be controlled. Saifa uses efficient leverage principles
by employing the elbows to bend and lead the opponents arm prior
to a dislocation, lock, break, throw etc.
Grounding is where the body is aligned so that when
the body weight is dropped the feet press against the ground and
then the force rebounds back along the same path to amplify the
technique. Correct posture and a firm lower abdomen are required.
Whipping
requires shoulder, elbow and wrist to be relaxed in a pliable
and firm way. Rib power is required, not bicep and shoulder strength.
An example of whipping is the use of a back fist as demonstrated
in the opening sequence. As the fist extends outward toward the
end of its range, the elbow is pulled back and down, the wrist
being relaxed 'whips', because of the sudden acceleration.